The Not Contractually Obligated Top Ten Of 2012

December 31, 2012

Now that I’ve wasted so much time here establishing a few traditions, I’d be remiss to honor not them…

Almost every artist in the history of mankind has at least one title in their catalog that is a compilation, a stopgap collection meant to maintain interest between releases (often to boost holiday sales) or to fulfill a contractual obligation.

This is the former, a chance to make use, one more time, of a lot of wasted time over the past twelve months.

Four years ago, I reflected on the annual, childhood tradition of spending New Year’s Day with a half dozen blank cassettes as Q102 played back the Top 102 songs of the previous year.

So, as 2012 begins its fade into a speck in the rear-view mirror, here are the most popular songs that appeared here during the past year…

10. The Beautiful South – Everybody’s Talkin
from Carry On Up The Charts (1994)
If It’s December, It Must Be Christmas

“On one of the however hundred or so cable channels, NBC is airing It’s A Wonderful Life.”

9. Billy Squier – Everybody Wants You
from Emotions In Motion (1982)
October 2, 1982

“At some point last year, I started a semi-regular tradition of pulling up a Hot 100 chart from Billboard magazine and dissecting the debut songs for a given week in the early ’80s (when I was first listening to music and most familiar with Top 40 radio).”

8. Townes Van Zandt – Dead Flowers
from The Big Lebowski soundtrack (1998)
“Am I the only one around here who gives a @#%! about the rules?”

“I know that Walter Sobcheck does, indeed, give a @#%! about them. He was willing to send Smokey into “a world of pain” for a foot foul in The Big Lebowski.”

7. David Bowie/Pat Metheney Group – This Is Not America
from The Falcon And The Snowman soundtrack (1985)
February 2, 1985

“In early 1985, the shift in my musical interests, which had been evolving and changing in fits and starts for a couple years, was ongoing.”

6. Eye To Eye – Nice Girls
from Eye To Eye (1982)
May 22, 1982

“As I opt to periodically do – when I have no other viable or unviable ideas – it’s time to pull up an old Billboard magazine Hot 100 chart and note the songs that debuted that week.”

5. The Monkees- (Theme From) The Monkees
from The Best Of The Monkees (2003)
The Monkees And Me

“I suppose that for someone as fascinated by primates, both of the skyscraper-climbing and planet-ruling sort, as I apparently am, The Monkees should be a favorite band for, if nothing else, their name.”

4. Altered Images – I Could Be Happy
from Pinky Blue (1982)
Bagpipes

“I keep seeing some television commercial, touting some MMA bout. With bagpipes blaring over fight footage, some participant is in the frame spouting Irish proverbs in an accent that I’m not quite sure is Irish or Scottish.”

3. John Stewart (with Stevie Nicks) – Gold
from Bombs Away Dream Babies (1979)
Andrew Burt – Or Someone Else – In 2012

“The candidates have not yet formally been nominated and I am already fatigued by the quadrennial excercise in slapstick that is the presidential election.”

2. The Nails – 88 Lines About 44 Women
from Mood Swing (1984)
Cheese, Crackers And The Voigt-Kampff Test

“Having had a reaction due to the ingestion of a certain plant-based substance, I once rampaged my way through several boxes of crackers, leading my housemates to dub me ‘Cracker Vacuum.'”

1. The Dream Academy – Life In A Northern Town
from The Dream Academy (1985)
Ah Hey Oh Ma Ma Ma…

“In the last few days, I’ve rediscovered the music of The Dream Academy, a band which I had loved and forgotten (despite owning all three of their albums).”


“Am I the only one around here who gives a @#%! about the rules?”

August 25, 2012

I know that Walter Sobcheck does, indeed, give a @#%! about them. He was willing to send Smokey into “a world of pain” for a foot foul in The Big Lebowski.

Admittedly, Walter was a bit extreme and Smokey – as you know if you’ve seen the movie – had emotional problems besides pacifism.

(but, unlike ‘nam, there are rules in bowling)

I kept thinking about Walter as I drank coffee and watched ESPN’s coverage of Lance Armstrong being stripped of his Tour de France triumphs over doping allegations. I was unsurprised that public opinion revealed a groundswell of vigorous support for the cyclist.

I am not a cyclist, a doctor, or a chemist.

I am a sports fan, so I’ve casually followed Armstrong’s saga and know the basic plot points.

I have no more idea than you likely do as to whether he cheated or not.

I do know that one recurring argument I keep hearing is that, because of his status as a cancer survivor, because of his contributions to cancer research, and because he has provided inspiration and hope to millions, Lance Armstrong should be left alone.

If Armstrong is guilty of what is alleged and he did cheat, he probably did so for the reason that most humans throughout time have cheated – he stood to benefit.

His altruistic efforts are laudable and deserve kudos, but Armstrong has certainly been rewarded for his cycling success and the possibility of that success being ill-gotten is troubling.

Troubling not so much in the context of Armstrong and what he may or may not have done, but troubling in that there seems to be a lot of ends justifying the means going on everywhere.

I’ve observed in the corporate world a willingness to bend the rules that has become pervasive. It’s business, it’s said, and, if you’re not cheating, you’re not trying.

But there are repercussions to massaging the truth so you or someone higher up on the corporate food chain might have enough scratch and stock options to be able to replace organs or own a back-up yacht.

In the financial world, the numeric voodoo and dishonest culture that seems to be so accepted has left the global economy in shambles and millions in distress.

If Armstrong cheated, I suppose that he could be accused of robbing someone else of the chance to achieve their dreams and to bask in glory. Yes, that would be unfortunate, but not quite on the scale of vaporizing the economy.

So, when all is said and done, I’m not particularly concerned about Lance Armstrong. He seems to have retained a lot of support and, though his world might not be seashells and balloons, he should still be good.

I’m more concerned about Monday morning.

I will commute to work and spend the week walking a tightrope. The more honest I am with clients, the more I’m at a disadvantage which well might be my undoing because, apparently, only Walter Sobcheck gives a @#%! about the rules.

Walter also said, “@#%! it, Dude, let’s go bowling.”

Here are four songs that appeared in The Big Lebowski

Townes Van Zandt – Dead Flowers
from The Big Lebowski soundtrack (1998)

Songwriter friends I have known revere the catalog of Townes Van Zandt and I’ve dug the little of the late Texan’s work that I know. The Big Lebowski made use of a live recording of Van Zandt’s cover of The Rolling Stone’s Dead Flowers.

Kenny Rogers & The First Edition – Just Dropped In (To See What Condition My Condition Was In)
from The Big Lebowski soundtrack (1998)

Kenny Rogers cracks me up, but Just Dropped In (To See What Condition My Condition Was In) is pretty groovy and surprised me the first time that I heard it.

The Gipsy Kings – Hotel California
from The Big Lebowski soundtrack (1998)

The Dude had strong feelings regarding The Eagles and, needless to say, he wasn’t going to go bowling with Frey and Henley. Perhaps he was more of a fan of The Gipsy Kings flamenco-styled take on one of The Eagles’ classics.

Creedence Clearwater Revival – Run Through the Jungle
from Chronicle: The 20 Greatest Hits (1976)

The Dude lost his Creedence tapes, along with his briefcase and some business papers, when his car was stolen. Fortunately – and despite the pessimism of the officers handling his case – he did get his car and his Creedence tapes back.

Run Through The Jungle was among CCR’s impressive string of brilliant singles that the band seemed to churn out at will during a three-year stretch in the late ’60s and early ’70s.

In the ’80s, with lead singer John Fogerty having a successful return to music with Centerfield, it was Run Through The Jungle that Fogerty was accused of plagiarizing for his The Old Man Down The Road by his former label president.