(there might be a hell of a screenplay if I could unscramble my mind)
And I am under the sway of the Olympics.
(well done London)
So, as I opt to periodically do – when I have no other viable or unviable ideas – it’s time to pull up an old Billboard magazine Hot 100 chart and note the songs that debuted that week.
1983 is always good as I was surfing more of the radio channels, beginning to gravitate toward album rock but still interested in the pop stations. That autumn, 97X would debut and I’d discover the exotic sounds of modern rock.
Twenty-nine years ago – more or less – seven songs debuted on the Hot 100…
Kissing The Pink – Maybe This Day
from Naked (1983)
(debuted #95, peaked #87, 5 weeks on chart)
The one song from these debuts with which I was not familiar was Kissing The Pink’s Maybe This Day. The British synth-pop act would shorten their name to KTP and have another minor hit a few years later with Certain Things Are Likely, which I do remember, but Maybe This Day? Nothing.
Maybe This Day shuffles along punctuated by muted horns, but I can hear why it wasn’t a big hit. It reminds me a bit of Naked Eyes, who were having great success at the same time, but not nearly as catchy.
Lindsey Buckingham – Holiday Road
from Naked (1983)
(debuted #92, peaked #82, 5 weeks on chart)
I can’t hear Holiday Road – the theme song from National Lampoon’s Vacation – and not want to cruise through a desert in the American Southwest in a station wagon with a dead aunt strapped to the roof on the way to a theme park thousands of miles from home.
Tears For Fears – Change
from The Hurting (1983)
(debuted #90, peaked #73, 6 weeks on chart)
Growing up om a small town was underscored by the occasional visit of my buddy Beej’s uncle from Cincinnati. The fellow had an enviable collection of New Wave albums, EPs, and twelve-inch singles by artists we often wouldn’t hear of until months later (or sometimes not at all).
Most American listeners wouldn’t hear Tears For Fears until 1985’s Songs From The Big Chair which had the hits Everybody Wants To Rule The World, Shout, and Head Over Heels.
Beej’s uncle had made us familiar with the name Tears For Fears during the summer of 1983 when The Hurting was released. A few months later, I found 97X where I heard Pale Shelter and the shimmering Change.
Robert Plant – Big Log
from The Principle Of Moments (1983)
(debuted #86, peaked #20, 16 weeks on chart)
In ’83, I was still becoming acquainted with Led Zeppelin’s extensive catalog beyond Led Zeppelin IV (a locker room staple) and I was completely unfamiliar with Robert Plant’s solo debut from the year before.
I quickly became well acquainted with Plant’s follow-up, The Principle Of Moments, when it arrived as summer was slipping away. Not only was the languid Big Log becoming the singer’s first Top 40 single, I was hearing other tracks from the album like In The Mood and Other Arms on the rock stations.
Spandau Ballet – True
from True (1983)
(debuted #67, peaked #4, 18 weeks on chart)
Beej might have heard of Spandau Ballet from his uncle, too, but I remember him mentioning the New Romantic act from seeing their videos on Night Tracks.
Of course, anyone listening to the radio late that summer and into the fall would have known True. The lush ballad was a mammoth hit and one of the enduring songs of the period (currently heard in some car commercial).
The song wasn’t my cup of tea at the time. The sophisticated crooning of Tony Hadley held no appeal to me, but, other the past three decades, I’ve succumbed to True‘s charms.
Elton John – Kiss The Bride
from Too Low For Zero (1983)
(debuted #60, peaked #25, 12 weeks on chart)
Elton John was no longer the radio juggernaut he had been as my interest in music was beginning to develop, but the man was still having hits. In 1983, John’s Too Low For Zero would lead off with the upbeat I’m Still standing and, as the year wound down, the ballad I Guess That’s Why They Call It The Blues would be inescapable.
Sandwiched in between was the rollicking Kiss The Bride, another track that, like Spandau Ballet’s True, I have a greater fondness for now than I did at the time.
Stray Cats – (She’s) Sexy + 17
from Rant N’ Rave With The Stray Cats (1983)
(debuted #51, peaked #5, 15 weeks on chart)
I didn’t really like rockabilly revivalists The Stray Cats when their Built For Speed became a smash in late 1982 and Rock This Town and Stray Cat Strut were constantly on the radio. They were a band that might have existed when my parents were in high school which was not a selling point.
By the time Rant N’ Rave With The Stray Cats was released, I was becoming more curious about lots of different music and I was more receptive to the retro trio. Plus, (She’s) Sexy + 17 was too damned catchy to dismiss.