The End?

As a kid in the ’70s and a teenager in the ’80s, I lived in that world of limited entertainment options unfathomable now.

Our small town in the hinterlands had an old movie theater and the movies of the day usually made it to the screen, but it might take a month or two.

Most of the movies that I watched were ones that I’d catch on one of our half-dozen television channels late at night or on Saturday afternoons. These were often flicks from the ’50s and ’60s and, at the conclusion of the movie, “The End” appeared on the screen.

The message might be in a block-like font or perhaps some more sweeping script.

If it was science-fiction or horror flick the notification might be accompanied by a question mark.

(of course, depending on the hour, I might have missed that exit sign, waking to a television full of snow)

At some point over the recent holiday, I watched some old movie – it might have been something on Mystery Science Theater 3000- and, at its conclusion, “The End” appeared on the screen.

Movies no longer end with “The End.” It’s straight to the credits.

(and, if you’re watching a flick on ‘TBS, the credits scroll by in a dizzying, time-compressed fashion in a fraction of the screen as the announcer is queuing up the next film – it’s like they’re rushing an unwanted house guest out the door )

At some point, during my lifetime, filmmakers no longer felt the need to inform the audience that the movie was over.

But was such a message ever necessary? Did people simply sit in the theater, confused by the credits and unsure of what to do, not knowing whether or not the characters which they’d been watching would return?

So some innovative mind invented “The End” and, from that point on, there was no confusion.

And somewhere in the last few decades, we as a species have advanced enough that, when a movie ends, we no longer need to be told.

And that’s a small step forward on the evolutionary trail that we all should feel good about.

Here are four movie songs…

Elton John – I’ve Seen That Movie Too
from Goodbye Yellow Brick Road (1973)

Elton John produced a staggering amount of amazing music in the ’70s and his classic album Goodbye Yellow Brick Road has a little bit of everything that made him a superstar for the ages.

It’s not difficult to picture Elton playing the resigned I’ve Seen That Movie Too in some piano bar at an hour when the crowd has dwindled. Personally, I connect the song to Guns N’ Roses’ as Axl Rose has claimed Elton as an influence and “I’ve seen that movie, too” popped up as a line in the band’s You Could Be Mine.

The Auteurs – Underground Movies
from Now I’m A Cowboy (1994)

The Auteurs received kudos and even moderate success in their UK homeland but little notice in the States. It’s unfortunate as the quartet garnered comparisons to The Kinks and The Smiths for their literate pop.

Underground Movies is a lovely song with a light, baroque pop feel accented by cello.

The 6ths – Movies In My Head
from Wasps’ Nests (1995)

I snagged a copy of The 6ths’ debut as a promo when it came out in ’95. The album was a collection of songs written and performed by Stephen Merritt of The Magnetic Fields with an array of guests handling the vocals.

Movies In My Head is a perky bit of twee pop featuring Yo La Tengo founding member and percussionist Georgia Hubley who finds the visual vignettes showing widescreen in her head to be more interesting than a would-be suitors’ efforts to gain her attention.

Stan Ridgway – Beloved Movie Star
from Holiday in Dirt (2002)

You might not know the name, but, if you’re familiar with ’80s music, the adenoidal vocals of Stan Ridgway might be recognizable. A founding member of the band Wall Of Voodoo, he sang lead on a trio of albums including Call Of The West, which spawned the iconic Mexican Radio.

(and I still think Wall Of Voodoo is one of the coolest band names ever)

Following Call Of The West, Ridgway opted for a solo career. He’s never equaled the success of Mexican Radio, but he’s produced some engaging, offbeat music often with a strongly cinematic vibe such as the noirish Beloved Movie Star, a song about a faded film star which evokes both sympathy and amusement.

Holding Auditions In My Head For A Potential Imaginary Friend*

As I often remind Paloma, my childhood was spent in the hinterlands of the Midwest, right past where the flat Earth ends, amidst a lot of corn. Its charm is far more apparent given time and distance.

Paloma has heard me recount tales of my years in the wild. There was no MTV because there was no cable. And new music was not easily attainable. Life was often accentuated by imagination out of necessity and, yet, I never had an imaginary friend.

The last item came to my attention the other night when I happened across my copy of The Essential Calvin And Hobbes. The comic strip, which ran for a decade or so beginning in the mid ‘80s was drawn by Bill Watterson, whose been quite reclusive and rarely (never?) has licensed the use of the characters.

Calvin was a hyperactive and imaginative six-year old tyke; his constant partner-in-crime was a stuffed tiger, Hobbes who was as real to Calvin as anyone else. I can’t do them justice in writing, suffice to say it’s good stuff.

Reacquainting myself with the duo, I wondered if I had missed an important childhood trinket, so I held an audition in my head for such a sidekick.

The name Captain Erving popped into my head. I’m thinking it must be some subconscious homage to the great Dr. J, so I kind of like it. And, for some reason (perhaps some subliminal, nautical influence due to repeated viewings of Jaws), I envision Captain Erving, my potential imaginary friend, as a lobster.

It does seem like a lot of responsibility, though, this imaginary friend business. And, I’d much rather have a dog.

I have nothing in my head right now, so here are four songs about the contents of other people’s heads…

The 6ths (featuring Georgia Hubley) – Movies in My Head
from Wasps’ Nests

I snagged a copy of The 6ths’ debut as a promo when it came out in ’95. The album was a collection of songs written and performed by Stephen Merritt of The Magnetic Fields with an array of guests handling the vocals.

Movies In My Head is a perky bit of twee pop featuring Yo La Tengo founding member and percussionist who finds the visual vignettes showing widescreen in her head to be more interesting than a would-be suitors’ efforts to gain her attention.

Electric Light Orchestra – Can’t Get It Out Of My Head
from Strange Magic: The Best of Electric Light Orchestra

Though ELO had no shortage of hits with upbeat stuff, Jeff Lynne and company were equally adept when they opted to slow things down as on the lovely ballad Can’t Get It Out Of My Head, which became the group’s first major single in the States.

The Cars – Got A Lot On My Head
from Candy-O

I think that I could pick random track after random track from the catalog of The Cars and I’d hit something that would make happy most of the time.

There’s a lot of classic stuff there and the rest is, at the very least, usually a lot of fun like Got A Lot On My Head.

Shonen Knife – Tomato Head
from Rock Animals

From the country that gave us Godzilla, the all-female trio Shonen Knife were darlings of the alternative rock world in the ’80s. I heard songs here and there and was charmed by their zany brand of garage band pop, but never enough to own anything

I did snag a promo of 1993’s Rock Animals which featured the blissfully enigmatic (and slightly menacing) Tomato Head.

There was also a nifty little 3D reproduction of the album cover enclosed in some of the CDs like a Crackerjack prize.