Paloma has wandered into the living room a few weeks weeks ago and noted the show on the television.
“The Cosby Show?”
She quickly attributed the interest to Lisa Bonet.
Sure, Ms. Bonet was a fetching beauty, duly noted by myself and most of my buddies when The Cosby Show debuted in 1984.
Two years later, I was in college and it increasingly seemed to me that she was trying too hard to establish her bohemian bona fides.
No, I just dig Bill Cosby. The man is a comforting presence, the macaroni and cheese of childhood celebrities.
My earliest recollections of Bill Cosby was as the host of Fat Albert And The Cosby Kids in the early ’70s. As I recall, it was usually the anchor show, closing out that Saturday morning’s cartoons
(attention was then focused on lunch as the midday television options would be bowling, b-movies or hunting shows)
And Bill Cosby continued to be a presence through the decade and into the early ’80s when I’d hear tracks from his comedy albums on The Dr. Demento Show.
Then The Cosby Show hit and the man and his television family was a cultural phenomenon.
I was sixteen when The Bill Cosby Show debuted and in college when the show was at the height of heights. I was at an age that I was gaining freedom from parental control and there were far more interesting things to do than watch television.
Of course, the show was a pop culture juggernaut with higher Nielsen ratings than God, so if I was in front of a television on Thursday night – at home or a friend or girlfriend’s place – it was undoubtedly tuned to NBC and The Cosby Show.
Though the show might have had cultural and social significance, I was watching because I had grown up with Bill Cosby. He had been an older brother in Fat Albert And The Cosby Kids and had become the patriarch of the Huxtable clan.
Each week, if I tuned in, I knew that I could expect Bill to be wearing zany sweaters, mugging for the camera and dispensing life lessons through amusing anecdotes and tales.
In retrospect, memories of catching The Cosby Show during those years meant that I was likely taking the night off – off from studying, off from going out, off from the hassles of the day – and spending it in an ideal world where things rarely got too heavy and all was resolved in half an hour.
(nearly three decades later, the show still fulfills such a purpose)
Twenty-five years ago, as Halloween was arriving and Thanksgiving break (and mid-term finals) were looming, The Cosby Show was the most-viewed show in the country. I had recently started working at a record store, leaving the show with one fewer viewer most Thursday nights.
Here are four songs I was hearing at the time…
Sinéad O’Connor – Mandinka
from The Lion And The Cobra (1987)
I dug Sinéad O’Connor from the moment she appeared on the tiny black & white television in my dorm room. Sinéad had just released her debut, The Lion And The Cobra, and suddenly this striking girl with a shaved head was wailing like a banshee in the video for the driving rocker Mandinka.
At the time, O’Connor was a critical darling and a cult favorite in the music world. There was no way that we were ever going to hear the Irish lass alongside the likes of Tiffany and Debbie Gibson.
Eurythmics – Beethoven (I Love To Listen To)
from Savage (1987)
Despite going in a more conventional pop/rock direction with 1986′ Revenge set, Eurythmics were losing commercial momentum in America which they would never regain. Savage found the duo of Annie Lennox and Dave Stewart harkening back to a more electronic, synthesized sound that had helped them breakthrough with Sweet Dreams (Are Made Of This).
Though Savage wouldn’t reclaim a larger audience for the duo, the staff in our record store was fond of the album, especially the fierce I Need A Man and the trippy, pulsating Beethoven (I Love To Listen To).
Swing Out Sister – Breakout
from It’s Better To Travel (1987)
Top 40 music was mostly off my radar by ’87, but one gem from that autumn was the irresistible Breakout by the British trio Swing Out Sister. The sophisticated pop song was breezy, sunny and the perfect anitidote to the chill in the air as winter approached.
(and singer Corinne Drewery, with her jet-black pixie haircut, was rather fetching, too)
Bruce Springsteen – Tougher Than The Rest
from Tunnel Of Love (1987)
That autumn, Bruce Springsteen was issuing his first new album since Born In The USA had arrived three years earlier and established The Boss and band as pop culture titans of the mid-’80s (even for Republicans and the simpleminded for whom knee-jerk jingoism trumped lyrical comprehension).
Though critically lauded, it was impossible for the more pensive and less bombastic Tunnel Of Love to replicate the sales and hullabaloo of its predecessor. Much of the album was focused on the pitfalls of love and the unflinching Tougher Than The Rest is no different, though it addresses those perils with purposeful determination.