A True Puppet Regime

September 14, 2011

A few days ago when I was pondering Cheerios, I considered that the cereal would be ideal for serving at state functions while entertaining foreign dignitaries.

Alas, as I cannot gut a moose, I fear that I have no possible route to high office where I could enact this bold idea.

But I think I’d make a fine head of state and I suppose that I could overthrow a current leader and install a puppet regime.

Like moose-gutting, leading a coup d’état is not in my skill set. Yet I have an innovative twist that I would introduce to shake up this tired endeavor.

My puppet regime would consist of puppets.


I’m not sure if I’m ready for the responsibility of having my own puppet regime and I can imagine that it won’t be all seashells and balloons, but it’s time I grew up a bit.

(I’m also going to have to put a puppeteer on my payroll)

Central to making this venture work is choosing the country, one whose population is amenable to having their present government ousted. I don’t drive an SUV and my family has no ties to the petroleum industries, so oil is not a prerequisite for consideration.

I’d prefer beaches and tropical climates, so I can cross off countries like… Iraq or Afghanistan. Besides, they’ve already been spoken for and the upkeep seems to be a bit much.

I do like the idea of press conferences with throngs of reporters jockeying for answers from wooden figures being beamed globally on CNN and Al-Jazeera. I suppose we already have that now, but not with actual puppets!

And imagine if my marionette myopia starts taunting other countries?

Consider the hilarity as the leaders of Iran, Israel, North Korea, or the US go cowboy loco, puffing out their chests, and reacting with threats over statements issued by a non-living figurehead with a hand up its butt.

Just when you thought global politics couldn’t get more ridiculous, think of hearing Wolf Blitzer bloviate, “The American president noted in a speech today that ‘puppets make good kindling,’ a not so subtle message to Micronesian President Chewbacca.

This was in response to Chewbacca bellowing in an interview on foreign television and, though his Wookie wail was unintelligible, it was deemed provocative by …”

Here are four random songs from the iPod…

The Candyskins – Everything Just Falls Apart On Me
from Fun?

There are plenty of surprises within the vast digital expanses of the iPod, things that I am wholly unaware that I have, but, somewhere along the way I’ve deemed necessary to keep. I had to look up the details on The Candyskins as I couldn’t remember anything about them.

Considered one of the seminal bands of the Brit Pop era-pop, The Candyskins featured brothers Nick and Mark Cope and hailed from the same Oxford scene which produced Radiohead and Supergrass.

The band has much more more in common with the latter and Everything Just Falls Apart On Me is engaging, jangly power pop with a ’90s slacker vibe in its take on love.

Wheatus – Sunshine
from Wheatus

I certainly remembered Wheatus for the catchy Teenage Dirtbag from their 2000 self-titled debut. I might have to pull up the entire album and get reacquainted as Sunshine has the same bratty and endearing charm as that song.

(it also has banjo)

Leon Russell – Beware Of Darkness
from Leon Russell & The Shelter People

Leon Russell’s version of George Harrison’s Beware Of Darkness is something relatively new to the iPod thanks to whiteray over at Echoes In The Wind. He had written about the song and I mentioned that I was only familiar with Concrete Blonde’s version from the late ’80s.

So, he was gracious enough to turn me on to Russell’s take on the song which is a trippy, stutter-step of a song. It’s off-kilter, frenetic, and the vocals give me a sense of dread.

(and I quite dig it)

Neneh Cherry – Buffalo Stance
from Raw Like Sushi

Neneh Cherry was a critical and commercial sensation when Raw Like Sushi arrived in 1989. At the time, it was an unconventional brew of R&B, rap, pop, and dance music that seemed to announce the arrival of a star.

Cherry was a star for awhile as the sassy Buffalo Stance – which sampled Malcolm McLaren’s Buffalo Girls – reached the Top Ten in the US and all over the world. She never captured that lightning in a bottle again, though, and I don’t believe she’s released a new album since the mid-90s.

“They Shot Down The Satellite…It’s The End Of The World”

March 20, 2010

There’s a cool blog called The Song In My Head Today that I happened across not long ago. Recently, the subject was favorite movie soundtracks.

I’m not sure if I could name one favorite – could any sane person do so? – but the soundtrack to a little-seen movie called Until The End Of The World would definitely receive consideration.

I’m not sure when I became intrigued with the movie or even really what about it that had caught my attention. It was several months before it had a release date and I’m certain that much of the interest stemmed from the fact that Wim Wenders was the director.

Wenders had done a couple films – Paris, Texas and Wings Of Desire – that were popular with the staff of the record store where I was working in late 1991. The latter might be more familiar to most folks as the dreadful (and somewhat creepy) American remake City Of Angels.

Working in a record store, one-sheets for the Until The End Of The World‘s soundtrack had caught my eye for its impressive array of acts including Talking Heads, Patti Smith, R.E.M. and U2. U2’s song Until The End Of The World was one of the few previously released songs (it had appeared on the, then, just issued Achtung Baby) and one of the few not written specifically, at the request of Wenders, for the film.

One co-worker in particular, who was a bit of a film buff, shared and helped stoke my anticipation for the movie. We knew that it was being touted as the ultimate road movie, taking place in fifteen different countries.

We also knew that a five-hour version had been enthusiatically received in several limited showings at film festivals. We also had read that the cut for American audiences had been whittled down to just shy of three hours.

Then, we learned that the movie would feature a new song from Peter Gabriel and the opportunity to hear new music from the slow-working Gabriel – it had been more than five years since So – made seeing the movie a must-see event.

And so, it finally arrived in our city – at one theater. With another co-worker, we took the first chance to see the movie, knowing that it wouldn’t likely play for very long (I think it ended up playing for a week).

The theater screening it was in a multi-plex in a down-trodden part of the city. The multi-plex was part of a larger complex of stores and restaurants that had opened only a few years earlier in an effort to revitalize the area.

It hadn’t.

So, the theater and the entire complex had taken on the vibe of a ghost town and the few signs of life were mostly members of rival gangs. Aside from my two friends and me, there were two other people in the theater at the midnight showing we attended.

It was a maddeningly disheveled flick – there were obvious points where the cuts were made – starring William Hurt, Sam Neill, Solveig Dommartin, Max von Sydow, and Jeanne Moreau. At the heart of the visually stunning film was a piece of technology that would allow the blind to see.

And all the while, we were waiting. Through Berlin and Paris, and Lisbon and Moscow, and Paris and San Francisco, we listened with each song that played for Peter Gabriel.

Finally, two-thirds of the way into the movie, In the deserts of Australia, with Hurt and Dommartin trekking through the vast emptiness after what they believe has been the end of the world, we heard, for the first time, Peter Gabriel singing Blood Of Eden.

The song, the soundtrack, and the movie have stuck with me for twenty years. I own a copy of the movie on VHS, though I haven’t watched it more than a couple times in those two decades.

It’s an interesting movie. It’s spectacularly ambitious and some of the visual effects are evocative.

And, it seems that the full-length original cut is a bit of a “Holy Grail” to some fans on the internet.

The soundtrack did create some buzz. Jane Siberry’s gorgeous duet with k.d. lang Calling All Angels and U2’s title song got a lot of airplay on alternative radio.

It was difficult to reduce the soundtrack to a mere four songs. There are the songs and artists that I’ve mentioned and previously unreleased music from Lou Reed, Julee Cruise, T-Bone Burnett, Nick Cave, Depeche Mode, Daniel Lanois…

So, here are four songs that happened to choose me today…

Peter Gabriel – Blood Of Eden (Special Mix for Wim Wenders’ Until the End of the World)

Blood Of Eden wasn’t on the movie’s soundtrack. It didn’t pop up until it was on Gabriel’s Us a year later. And though it featured Sinead O’Connor, who I usually dig, it wasn’t the version I’d loved in the movie.

Some time later, the version from the film appeared on the single for Blood Of Eden. It’s wispier and starker, than the Us version. It also played in it’s entirety in the movie and – with a backdrop of the Australian desert at dusk – it suited the scene perfectly.

Talking Heads – Sax And Violins
from Until The End Of The World soundtrack

The Wikipedia entry for Sax And Violins refers to the song as one of Talking Heads’ most popular ones.

I don’t remember it being particular popular at the time, but I think it’s a wonderful song, maybe one of their poppiest, yet still possessing the Heads sardonic take on things.

The song plays during the scene where Solveig Dommartin’s character Clair is introduced in a state of confusion. Dommartin had been the trapeze artist in Wenders’ classic Wings Of Desire.

Neneh Cherry – Move With Me
from Until The End Of The World soundtrack

Neneh Cherry seemed, for a few months in 1989, to be headed for superstardom. The daughter of jazz legend Don Cherry, Neneh caused a stir with her Raw Like Sushi debut. The album’s blend of R&B, rap, pop, and dance music was enthusiastically received by critics and her song Buffalo Stance was a global smash.

Move With Me would appear on the singer’s follow-up album, Homebrew, but Cherry would only release one more solo album in the ensuing twenty years.

Move With Me, though, is slinky and hypnotic with more of a trip-hop vibe and – hearing it again after all these years – makes me think I should pull up my copy of Homebrew and reacquaint myself.

Elvis Costello – Days
from Until The End Of The World soundtrack

They are slightly passionate about the music of Ray Davies and The Kinks over at The Song In My Head Today and why shouldn’t they be? For all of the success of Uncle Ray, I’d have to file him under underappreciated.

For the movie, Elvis Costello contributed his take on the gorgeous Davies’ masterpiece Days.


September 10, 2009

I’ve been hesitant to actually make this move as I’m so used to how things work at my former residence. However, Half Hearted Dude touted the ease of WordPress and, knock on silicon, so far, so good.

A quartet of tracks in motion…

The Cars – Moving In Stereo
from The Cars

Paloma mentioned her affection for The Cars the other day. She also declared her feelings that they haven’t gotten as much due as they should.

I think I’d agree that maybe they haven’t gotten as much hoopla as some bands of their era. If you were listening to radio in the late ’70s/early ’80s – especially during the summer of ’84 – you certainly knew their songs.

Primal Scream – Movin’ On Up
from Screamadelica

There are a handful of songs that never fail to make me smile. Movin’ On Up is one of them.

k.d. lang – Just Keep Me Moving
from Even Cowgirls Get The Blues soundtrack

Even Cowgirls Get The Blues always seemed to get the most attention, but, when it comes to the works of Tom Robbins – from whose Half Asleep In Frog Pajamas we adopted our name – I much prefer Skinny Legs And All and Jitterbug Perfume.

Anyhow, Just Keep Me Moving was a nice contribution by k.d. lang to the soundtrack.

Neneh Cherry – Move With Me (Dub)
from Until The End Of The World soundtrack

One of the best assembled movie soundtracks of the ’90s was the one for Wim Wenders’ Until The End Of The World. In fact, it was the lure of a new Peter Gabriel song that prompted a roommate and I to catch the movie in the theater (putting us in the company of a select few).

The hypnotic simmer of Move With Me is likely to surprise folks who only know Ms. Cherry from her 1989 hit Buffalo Stance.