Kiss Them For Me

June 6, 2012

I was surprised to come across news of the death of Richard Dawson the other morning. Paloma expressed what I had thought as I mentioned it to her.

“Is he still alive?”

He might have been mostly absent from the screen for the past couple decades, but, as a child of the ’70s (as well as the ’80s), I was well acquainted with Richard Dawson from a world before cable television.

Watching Hogan’s Heroes at the end of its original run in the early ’70s is part of my haziest memories.

(I more clearly recall the show being a staple of television programming during the rest of the decade)

During the decade he was also a fixture as a panelist on Match Game which aired in the afternoons. Sometimes I’d catch it after school and, as a kid growing up in a small town in the Midwest, I found the double-entendres and bawdy humor to be irresistible.

During the summers – or on days home sick during the school year – Dawson would be hosting Family Feud about the time we’d begin clamoring for lunch.

And, of course, Dawson was wickedly compelling as he satirized his role of host as Damon Killian in the prescient The Running Man which I watched a number of times on cable while in college in the late ’80s.

That’s the last I saw of Richard Dawson and apparently he was pretty much retired in the twenty-five years since The Running Man.

But he provided a lot of amusement to me as a kid. He had a rougish charm and seems like a guy with whom you’d enjoy sharing a few rounds.

So, I raise a pint to you, Richard Dawson. And here are four songs to accompany the smooching Dawson was known for on Family Feud

Siouxsie & The Banshees- Kiss Them For Me
from Superstition (1991)

I’d discovered Siouxsie & The Banshees in late 1983 when their cover of The Beatles’ Dear Prudence was a staple on 97X. And, I continued to follow them while in college where they were much adored by the college rock crowd.

By 1991, I was a year or so removed from school and Siouxsie Sioux and her gang were losing momentum, but not before the goth-rock pioneers finally notched a Top 40 hit in the US with the swirling sound kaliedescope Kiss Them For Me.

Thomas Dolby – Screen Kiss
from The Flat Earth (1984)

The bittersweet, wistful Screen Kiss scrapes the sunny superficiality from the surface of Hollywood dreams and the myth of Southern California and finds a lot of crushed hopes and heartache.

Sun 60 – C’mon Kiss Me
from Headjoy (1995)

The duo of guitarist David Russo and vocalist Joan Jones who comprised Sun 60 (or Sun-60) released a trio of fine alternative rock albums during the first half of the ’90s that deserved more attention than they received.

The brassy come-on C’mon Kiss Me appeared on their swan song, Headjoy, which found the duo a little grungier but still catchy as could be.

Bruce Springsteen – Give The Girl A Kiss
from Tracks (1998)

Bruce Springsteen finally issued the odds and ends of twentysome years with the four-disc set Tracks in 1998.

(and there was much rejoicing)

Though hardly essential, the Darkness On The Edge Of Town outtake Give The Girl A Kiss is a rollicking, horn-infused workout that probably still echoes in some Jersey shore dive.

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Summer Of The Mall Rat

May 19, 2012

As the school year came to a close in 1984, synchronistic events were occurring that would shape that summer for me and my friends.

By that May, all of us had obtained our drivers licenses, giving us the ability to escape the limited boundaries of our small hometown.

The fledgling MTV had become available in our area and, as it still hadn’t been co-opted by the major labels, those of us that had access to the channel had exposure to acts that we wouldn’t hear on the radio.

Those of us without MTV had become devotees of the newly-minted alternative rock station 97X from across the border in Ohio and though reception was maddeningly intermittent, it too provided a chance to hear new and exotic music.

With few responsibilities stealing our time, we took every opportunity available – usually when our buddy Beej would “borrow” his brother’s Datsun B210 (known as The Invisible Jet) – to hit the road for the bright lights of the dirty city known as Cincinnati.

We usually stuck to the malls. The malls had everything we didn’t have in our hometown – record stores, book stores, arcades, food courts, escalators – in one place.

And a lot of girls.

(there were, obviously, girls in our town, but we had known most of them since first grade – mall girls were exotic and mysterious)

The record stores in the malls, though chain stores, had more music than we could imagine and more than enough stock to quickly deplete our meager funds without venturing beyond the climate-controlled confines that became frequent haunts that summer.

However, we did wander about enough to discover Globe Records, the first indie record store I’d ever been in.

Globe was located in a part of the city that had little else to take us out of our way. It was a funky, little store, deeper than it was wide, tucked away in a strip mall setting.

It was a low-key place, lots of simple wood bins and racks. I seem to remember an open upstairs level which must have served as a good perch to monitor potential shoplifters.

There were large posters on the walls, haphazardly arrayed. I think the store’s backroom (and the stairs leading to the loft) might have been separated from the floor by a curtain of beads.

I can almost picture the place.

(I couldn’t have shopped there more than a dozen times and it was twenty-five years ago)

But I vividly recall the air musky with the scent of incense.

It had to have been the most bohemian place my friends and I had ever been up to that time in our lives.

Here are four songs that I remember well from that time…

Thomas Dolby – The Flat Earth
from The Flat Earth (1984)

She Blinded Me With Science was a Top Ten single in early ’83, but the song was mostly ignored by the radio stations in our area. I had a cassette of its parent album, The Golden Age Of Wireless, dubbed from a friend, though, and was captivated by Thomas Dolby’s quirky style and songs like One Of Our Submarines and Europa And The Pirate Twins.

My buddy Streuss quickly purchased the various incarnations of The Golden Age Of Wireless and snagged the follow-up, The Flat Earth, upon its release. The manic Hyperactive! – a minor hit in the States – had short-lived appeal to me and I found the rest of the album difficult to embrace.

(it would really be Paloma who would help me rediscover the album a decade later)

Dolby’s reputation as a techno boffin might be well-deserved, but, despite the gadgetry, he somehow imbues his songs with more humanity than more traditional acts and the title song from The Flat Earth is strange and lovely.

“The earth can be any shape that you want it to be.”

The Psychedelic Furs – The Ghost In You
from Mirror Moves (1984)

My buddy Beej was the first of my friends to have cable. And, even before MTV arrived with the summer in 1984, he was discovering new bands watching WTBS’ Night Tracks late-night video show almost a year earlier.

He’d tell us of the videos he’d see by then-obscure acts like Red Hot Chili Peppers and those who would remain unknown such as Burning Sensations. The more unusual the name, the more likely it would catch his attention and he took note of The Psychedelic Furs.

(the rest of us had heard The Furs on the soundtrack to the movie Valley Girl)

The Ghost In You would be the lead track on Mirror Moves which Beej played into the ground throughout the summer, but I never tired of the lovely and dreamy song.

(and still haven’t)

Big Country – Wonderland
from Wonderland EP (1984)

Sandwiched between Big Country’s debut, The Crossing, and its follow-up, Steeltown, which would arrive in late ’84, was a four-track EP released that spring. I had taped The Crossing from a radio station’s late-night airing and finally snagged a cassette of it and the Wonderland EP on one of those record-shopping trips.

The highlight of the EP was the thunderous title track which became a minor hit for Big Country but I heard often on 97X.

The Alarm – 68 Guns
from Declaration (1984)

Earnest and idealistic, The Alarm had a lot in common with U2 when both bands emerged as part of the post-punk scene in the early ’80s. The Alarm served as a support act for U2 as the latter was breaking in the States with War in ’83, but as U2 marched onward to superstardom, The Alarm remained a fringe act.

Though their albums were inconsistent and their range somewhat limited, the Welsh quartet proved more than capable of delivering some stellar moments such as the bracing anthem 68 Guns.


Blinding Myself With Science*

October 5, 2011

There was a period several years ago when my friend Donzo and I declared our dream of being scientists, vowing to create a ham ray gun which would turn any targeted object into ham.

(maybe I declared it and she humored me)

Surprisingly, I haven’t become a scientist and the ham ray gun never got beyond the conceptual stage (which is good as the military applications of this device are too frightening to imagine).

Donzo and her now-husband did send me a lab coat and a canned ham for my birthday one year.

It’s not like I’ve ever been especially interested in science. Sure, if there’s fire, shiny objects, or extraterrestrials involved…

But I am reminded as I watch an episode of Futurama that Prof. Farnsworth was undoubtedly my favorite character. I find his absent-minded enthusiasm/cynicism infectious and downright delightful.

And Prof. Farnsworth could certainly be a descendant of Doc Brown from the Back To The Future flicks. There are far lesser dreams than to aspire to the heights of either of these great men.

As a child, it was impossible not to be impressed by the nimble mind of The Professor on Gilligan’s Island.

(later, of course, the focus shifted to Mary Ann)

But that’s not the point. Merely typing the names of this trio of visionaries inspires me. No, there is no obvious, apparent reason or need to invent a ham ray gun, but that’s not the point either.

It’s science! And sometimes you simply need to invent because you can (like clonin’ dinosaurs and makin’ Jell-O).

Here are four slightly scientific songs…

Thomas Dolby – I Love You Goodbye
from Astronauts And Heretics (1992)

You expected She Blinded Me With Science, yes? Well, there’s more to Dolby than that one song and I Love You Goodbye is one of my favorite songs of his. It’ll likely surprise you if all you know is the former song.

However, even if the song doesn’t suit this post thematically, Dolby has always struck me as scientist-like. Also, his doppelganger, Food Network personality Alton Brown injects his take on cooking with plenty of science.

Kate Bush – Experiment IV
from The Whole Story (1986)

Like a lot of folks, I discovered Kate Bush in 1985 with her lone American hit, Running Up That Hill, but it was her compilation The Whole Story that was my first purchase a year later. Experiment IV was the obligatory unreleased/new track and it’s quite scientific.

Johnette Napolitano – The Scientist
from Scarred (2007)

If you asked me to list my favorite female rock vocalists of the past twenty-five years, there’d certainly be a place for ex-Concrete Blonde singer Johnette Napolitano. I have a feeling that even I would be surprised at how high I’d have her.

As for The Scientist, it’s a perfect showcase for that voice. Coldplay’s original version made me shrug with indifference, but Johnette’s take on the song is impossible to ignore.

Dot Allison – We’re Only Science
from We Are Science (2002)

Dot Allison first appeared on my radar with her band One Dove in the ’90s. The group only released one, under appreciated album before Allison embarked on a solo career toward the decade’s end.

I interviewed Dot following the release of her second album, We Are Science. Had the idea of the ham ray gun existed at the time, perhaps I would have asked for her thoughts.

That aside, she was a sweetheart and the only downside was that the combination of her Scottish accent and the fact that she spoke in hushed tones made transcribing the tape slightly maddening.