I just know it’s all going to be flame-broiled and life-altering.
And the restaurant already offers the Croissan’Wich which trumps all other possible breakfast sandwiches if only because the egg, cheese, and breakfast meat rests delicately on the buttery, flakey brilliance that is a croissant.
I don’t usually spend so much time pondering fast food. I usually eat it less than a few times a month.
This episode of reflection was prompted by a barrage of commercials the other night.
Sure, you might declare that such enthusiasm for Burger King is misguided as it could be argued that the foodstuff whose praises I sing so deliriously represents the final link in a chain of events that has ruinous consequences to the people and the planet at each and every juncture.
(including the consumption)
I would likely agree.
But I can’t fret about such matters on an empty stomach.
I think I’ll have breakfast first.
Here are four songs that I stopped on while shuffling…
I can’t help thinking of Sympathy For The Devil when I hear the congas that open Queen Of The Stone Age’s Better Living Through Chemistry. The song then proceeds to plow forward, sometimes dreamy, sometimes trippy, yet always heavy.
I’ve definitely not followed music the past ten years as I had before, but of the bands I have heard, few have impressed me during that time as much as Queens Of The Stone Age.
Eve’s Plum – If I Can’t Have You
from Spirit Of ’73: Rock For Choice
With a name inspired by the actress who portrayed Jan Brady on The Brady Bunch, Eve’s Plum released two albums of delightful alternative-tinged power pop in the early/mid-’90s that were sadly ignored before calling it a day. Lead singer Colleen Fitzpatrick would have a bit more commercial success later in the decade under the name Vitamin C.
As for If I Can’t Have You, it is indeed a groovy cover of Yvonne Elliman’s smash hit from the soundtrack to Saturday Night Fever. The song appeared on the compilation Spirit Of ’73: Rock For Choice which gathered an album’s worth of ’70s pop hits interpreted by ’90s alternative acts.
Concrete Blonde – Beware Of Darkness
from Concrete Blonde
There’s a review of Concrete Blonde’s debut that has stuck in my mind for twenty years as the reviewer – in some hipper-than-thou rag – stated that there was no reason for anyone with two ears to ever listen to it more than once.
Personally, I was a huge fan of the L.A. trio’s punk-infused alternative rock and would argue that the group was one of the more underappreciated acts of the ’90s. Their version of George Harrison’s Beware Of Darkness – and I have to admit, I don’t believe I’ve heard his – is a good fit for the band which often incorporated a bit of a gothic vibe to their sound.
The Future Sound Of London – Osho
from The Isness
I know relatively little about dance music, but the duo The Future Sound Of London hooked me the night I stumbled across the über-cool video for their song My Kingdom
In 2002, the act issued The Isness which found the duo incorporating a heavy dose of psychedelic rock into their post-modern sound. Apparently it left many long-time fans baffled and displeased, but I thought the album was stunning.
Osho, though, has a light ’70s funk feel to it, along with sitar, tabla, and some operatic vocals in the background.