Paloma has, on more than one occasion, wandered into the living room of our treehouse to find me watching an episode of Finding Bigfoot. Her usual response is to shake her head.
She doesn’t share my fascination at the possibility of an unknown species of giant hominids living in the most remote forests on the planet.
(but I still think she’s swell)
I have no expectations that, if the sasquatch does exist, the intrepid quartet of Finding Bigfoot will actually do so during the course of the hour.
No, much of the appeal is the various settings of the show. I’ve not been to the bottom lands of Arkansas or the heights of the Canadian Rockies, but I am able to appreciate the breathtaking, natural beauty of these places where McDonald’s, Starbucks and Wal-Mart have yet to leave a corporate footprint in HD glory.
And, there is the possibility of an unknown species of giant hominids living in these isolated locales.
When Paloma expresses her doubt, I say one word.
For the ichthyologically uninclined, the coelacanthe is a gigantic fish believed to have gone extinct during the Cretaceous period some sixty million years ago. Then, in the late 1930s, fisherman began pulling living coelacanthes out of the waters off the coast of Africa, proving the existence of an animal that had existed as nothing more than local folklore.
In college, one of my buddies knew of a door to the biology building that often remained unlocked. Late one night as we were downing one last round, he suggested a trek across campus to take advantage of this access.
We wandered the dimly-lit hallways of the massive building which I had rarely had reason or need to visit. And there, imprisoned in a glass tube in a display case was a fully preserved coelacanthe, five-foot long and covered in scales resembling armor.
We stood there for a moment staring at a creature who had not changed since a time when its ancestors swam the seas while dinosaurs roamed the land.
Here are four random songs that shuffled up on the iPod from bands that might be considered extinct…
The La’s – There She Goes
from The La’s (1990)
The La’s long ago secured their place as one of the more bizarre tales in the history of rock music. One album, despised by lead singer/songwriter Lee Mavers who bad-mouthed the critically-acclaimed album in interviews, minimal sales and scant attention.
Then, nothing. For twenty years there has been little more than rumors of new music and strange stories about Mavers’ perfectionist ways scuttling the arrival of new music.
Now, The La’s are kind of a cool secret.
Most people are likely familiar with The La’s music from Sixpence None The Richer’s cover of There She Goes, but that version pales in comparison to the chiming goodness of the original. The La’s echoed the classic pop of the ’60s with the ringing guitars and effortless choruses and that lone album is now, like its influences, timeless.
Eurythmics – Missionary Man
from Revenge (1986)
Dave Stewart and Annie Lennox’ decade-long run as Eurythmics seemed to come to a close following 1989’s We Too Are One. Since then, the duo have reunited periodically but their only new release has been Peace in 1999 and, according to an interview with Stewart last year, there are no plans for future collaborations.
Eurythmics were coming off of the highly-successful Be Yourself Tonight – which had included Would I Lie To You? – when they issued Revenge in the summer of 1986. Missionary Man was one of the pair’s most mainstream rock efforts and provided the two with their last significant hit singles in the States.
Concrete Blonde – Caroline
from Bloodletting (1990)
Concrete Blonde was one of my favorite discoveries while in college and I quickly snagged each and every album the trio released, though most of their records were uneven.
Bloodletting was their momentary breakthrough with Joey becoming a hit and the title track getting some airplay on modern rock stations, too. For me, the wistful Caroline was one the band’s finest songs and featured some riveting, serpentine guitar courtesy of James Mankey.
The group wasn’t able to sustain the momentum and split in 1997 before reuniting for a couple albums in the early 2000s. And, like the coelacanthe, Concrete Blonde might not be entirely extinct as the band’s website lists some live dates from December of last year.
INXS – The Stairs
from The Greatest Hits (1994)
INXS was introduced to us in the States with 1983’s Shabooh Shoobah. Several friends were impressed, but aside from the brilliant Don’t Change, I was mostly indifferent. However, one of those friends was compelled to purchase INXS’ two previous albums as pricey, Australian imports and, thanks to his incessant playing of the band’s music, I became a fan.
Within five years, INXS was one of the biggest acts in the world with 1987’s Kick selling millions and spawning hits like Need You Tonight, Devil Inside, and Never Tear Us Apart. Kick‘s successor, X, arrived in 1990 and managed to be moderately successful, but the band’s commercial fortunes continued to decline in the ’90s.
INXS seemed to be done with the death of lead singer Michael Hutchence in 1997, but reality television intervened and the group had a brief reunion almost a decade later.
(of course, as anyone familiar with Stephen King’s Pet Sematary knows, sometimes dead is better)
The Stairs initially appeared on X and, though not a hit, other than Don’t Change, it might be the best thing that INXS ever did.