As I surfed channels the other night, I couldn’t help but momentarily get sucked into an infommercial.
It was by Time-Life and for a nine-CD collection – Ultimate Rock Ballads.
Hosting the half-hour pitch to earn my affection, interest, and credit card number was REO Speedwagon lead singer Kevin Cronin. His sidekick was some chick who looked like a dental hygenist and likely had no idea who Kevin Cronin or REO Speedwagon was until her world and his collided in this cash grab.
Kevin Cronin wouldn’t stop smiling.
The pair became positively giddy when the hygenist asked Cronin if it could be possible to assemble such a collection of music.
He flat out declared that she couldn’t do it, I couldn’t do it and he couldn’t do it. To even suggest it could be done by a mere mortal (or even a rock star) was akin to asking me to split the the atom.
But, Time-Life could.
(good for Time-Life – if you are such jet-fuel geniuses end global strife, put Japan back together, or, hell, just make me a sandwich)
And still Kevin Cronin kept smiling. It reached a point that he was freakin’ me out and I started to wonder if he’d ever killed a drifter.
Fortunately, the banter of Kevin & The Hygenist was broken up by clips of selections from the set.
There was the lovely Rindy Ross swaying with her saxophone as Quarterflash performed Harden My Heart on American Bandstand.
And I couldn’t help but wonder how much time – had I been a member of Toto – I would have wasted making fun of singer Bobby Kimball’s moustache as the video for Rosanna played.
According to the Wikipedia entry for power ballad, it is suggested that 1976 was the pivitol year that the power ballad truly became part of American consciousness as FM radio “gave a new lease of life to earlier songs like Led Zeppelin’s Stairway To Heaven, Aerosmith’s Dream On, and Lynyrd Skynyrd’s Free Bird.”
(personally, I would defer to Wisconsin JB on all things musical in 1976)
1976 was also the year that Kiss had their biggest pop hit with the ballad Beth which, as I somewhat recall, caused more than a bit of angst for members of the Kiss Army.
That song, though, and the concept of a rock band broadening their audience with a softer sound would seem to be a precursor for the ’80s when the strategy was practically a given.
Foreigner had Waiting For A Girl Like You, Journey had Open Arms, and Mr. Cronin’s REO Speedwagon had Keep On Loving You which helped the group launch their mega-selling Hi Infidelity.
And, at the risk that it might cause Kevin Cronin’s head to spin off its axis, I suspect that – for better or for worse – I do own most, if not all, of the songs on Ultimate Rock Ballads.
Here are four ballads – some with less power than others – that were hits in the early ’80s for more rock-oriented bands…
Foreigner – Waiting For A Girl Like You
from Foreigner 4
Foreigner arrived with their first several albums prior to music being more than a casual affair to me. I associated the band with driving rock tracks like Hot Blooded and Double Vision that I’d hear blaring from the car stereo of a high school kid as he tore through our neighborhood.
But, by the time Foreigner released their cleverly titled fourth album, I was listening to the radio, if not actually purchasing music. In late 1981, the moody, keyboard-laden Waiting For A Girl Like You – moody keyboards courtesy of one, pre-science blinded Thomas Dolby – was inescapable.
Foreigner would continue to have hits well into the ’80s, but having found a new audience with this softer sound, the band would – unlike previously – rely on lighter songs for those singles.
J. Geils Band – Angel In Blue
from Freeze Frame
The R&B-laced blues-rock of J. Geils Band earned them comparisons to the Rolling Stones during the ’70s and the Boston band became a popular live act with the occasional hit song. The group notched major pop radio success with Freeze Frame and the massive hit song Centerfold and the title track.
While those songs, like much of their catalog, were raucous affairs, the third track pulled from the album was the downbeat Angel In Blue. It was hardly as big as the previous two songs from Freeze Frame, but the gorgeous, melancholy song retained the band’s soulful vibe and blue-collar grit as it told the tale of a world-weary cocktail waitress.
(for some reason, I’ve always mentally linked the unnamed waitress in Angel In Blue to Brandy in the hit by Looking Glass)
Night Ranger – Sister Christian
from Midnight Madness
Led by dual guitarists Jeff Watson and Brad Gillis – the latter had briefly filled in with Ozzy Osbourne after Randy Rhodes death – Night Ranger became a staple on our local rock stations with their 1983 debut and songs like Don’t Tell Me You Love Me and Sing Me Away.
Late that same year, the band issued its sophomore effort Midnight Madness and continued to get heavy airplay with (You Can Still) Rock In America and Rumors In The Air. But it was in the spring of ’84 that Night Ranger garnered attention on the pop stations and notched a Top Ten hit with the mid-tempo Sister Christian.
Slade – My Oh My
from Keep Your Hands Off My Power Supply
With their trademark misspelled song titles and glam-tinged hard rock, Slade released a string of monstrous hits in their native UK during the ’70s even as the band was largely ignored in the States. By the beginning of the ’80s, the quartet was being ignored in the UK as well.
Then, Quiet Riot had a breakthrough hit with Slade’s Cum On Feel The Noize in the autumn of ’83 even as Slade was making a comeback in the UK with The Amazing Kamikaze Syndrome.
The album was repackaged and retitled, arriving in the US the following spring and, that summer, the band – aided by a popular video on MTV – had notched its first Top 40 hit Stateside with the raucous Run Runaway.
That fall, the anthemic ballad My Oh My became a minor hit and Slade’s final flicker of success in the US.