A couple weeks back, I was poking around for info on the ’80s cult movie Straight To Hell and most of what I found also mentioned another ’80s cult movie – Repo Man – mentioned.
(Alex Cox directed both movies)
My friends and I knew of Repo Man in 1984 when it was released and became an instant cult movie and favorite with midnight crowds. We certainly didn’t see it at the time, but, surprisingly, as we were living in Sticksville, we were aware of the movie.
Thinking back, it had to have been my buddy Beej’s uncle who told us about it. His uncle taught literature or something at a college in Cincinnati, an hour away, and was always turning us onto obscure (to us) new wave bands.
Eventually, we snagged a videocassette of Repo Man and a bunch of us watched it one Friday night.
It was Emilio Estevez’ first movie and he starred as a young punk named Otto being mentored in the ways of being a repo man by Harry Dean Stanton as the pair attempt to repossess a ’64 Chevy Malibu with two dead aliens in the trunk.
It’s been twenty-five years or more since that single viewing of Repo Man, but I remember digging some of it and thinking a lot of it was tedious.
The soundtrack consisted of Los Angeles bands – where the movie was set – including The Circle Jerks, Fear, and Burning Sensations.
That last band was known for their video hit Belly Of The Whale and – on the Repo Man soundtrack – covering the Jonathan Richman-penned Pablo Picasso. In the song it is opined that the artist “never got called an asshole.”
(though I seem to recall Paloma once referring to him as a bastard)
I don’t remember if there were or weren’t aliens in the trunk of that ’64 Malibu in Repo Man.
And though I had several friends who drove old Malibus at the time, I was with my buddy Streuss in his old man’s beloved Volvo when we got pulled over by the police.
I stood there in the night air with several friends as Streuss was unlocking the trunk of the car at the request of the cop.
All I could think of was Repo Man as the trunk lid swung open.
Instead, there was several handfuls of straw, a crumpled carton that had contained wine coolers, and one tube sock.
(and, no, despite the contents of the trunk his dad was not a serial killer nor some other deranged felon)
Though the soundtrack for Repo Man was heavy on punk music, we were more partial to the new wave and alternative acts we were discovering at the time from 97X, Night Flight, and Beej’s uncle. Here are four songs that I remember from that time…
Simple Minds – Waterfront
from Live In The City Of Light
Over the previous year, U2 had finally reached us in the Midwest with songs from War and Under A Blood Red Sky getting a smattering of attention on a couple radio stations. With Sparkle In The Rain, produced by U2 producer Steve Lillywhite, I heard Scotland’s Simple Minds for the first time and was drawn to their anthemic, widescreen sound.
Waterfront, with its thumping bassline and ringing guitars, was an immediate favorite. A year later, Simple Minds was no longer a band I’d only hear on alternative outlet 97X, but on an array of stations as the group scored with the massive hit Don’t You (Forget About Me).
Though Paloma and I have a copy of Sparkle In The Rain on vinyl, the only version I have ripped of Waterfront is this live version from ’87.
Guadalcanal Diary – Watusi Rodeo
from Walking In The Shadow Of The Big Man
The band Guadalcanal Diary were from Athens, Georgia and contemporaries of R.E.M., but, unlike Michael Stipe and company, the group never managed to cross over to a more mainstream audience. They did have a modicum of success with college audiences in the mid- to late- ’80s.
It’s the quirky and engaging Watusi Rodeo for which they are best remembered. The odd, little number about cowboys in the Congo lassoing water buffalo fused jangle-pop with surf rock and why it wasn’t blaring from every radio during the spring of ’84 is mystifying.
Talk Talk – Such A Shame
from It’s My Life
My buddy Beej did get hooked on Talk Talk by his uncle and had already played It’s My Life into the ground for me before the trio notched a lone US Top 40 hit with the album’s title track.
I liked It’s My Life, but I much preferred the pulsating, skittering follow-up Such A Shame.
The Alarm – Blaze Of Glory
With their post-punk guitars, martial drumming, earnest lyrics, and rebellious attitude, the Welsh quartet The Alarm also appealed to the growing affection my friends and I had for U2.
Several songs from their debut, full-length album Declaration popped up on 97X including the defiant Blaze Of Glory.
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