Not surprising as she issues perceived grievances in fifteen to twenty minute monologues sprinkled throughout the course of eight hours.
As she railed against the injustice of the two-dollar fee, I thought, it could be worse – you could be trapped in a Chilean mine.
(and, yes, I admit that for a moment I considered that this might only be worse from her perspective)
It must have been two weeks ago that the story of the miners trapped in San Jose, Chile burst onto the front pages on news sites and it was riveting stuff.
As I read the details, I immediately thought that there had to be someone, somewhere, already working on acquiring the rights to the tale for books, movies, action figures – that might be cynical, but I’ve experienced the corporate world.
Then, as the timeline for rescue was projected to be months, I realized that this situation would be something which the entire world would follow – hour by hour, day by day – until the group was topside.
I thought of 1979 and the Iranian students who seized the US Embassy in Tehran, taking those working at the consulate hostage.
I was in fifth grade and every morning would begin with Sister Marie providing us with details about one of the individuals being held which I imagine she had culled from the numerous print articles and television coverage.
The event gave birth to Ted Koppel’s long-running Nightline program which helped kill off the brilliant late-night show Fridays by cutting into its timeslot.
(I’d like to see Iran sanctioned by the UN for that)
So as I read about the plight of these miners and the extraordinary measures that would have to be undertaken in their rescue, I envisioned how the story might play out.
And I imagined the world hanging on each new development and pondered a happy ending that might provide the entire planet with a reason to feel good for a moment.
(whenever I catch the movie Apollo 13, I wonder what the vibe around the world must have been like at that time)
Here’s hoping that the situation in Chile does end with a successful rescue. I couldn’t imagine being trapped in such confines with my co-workers for months.
Eight hours…that’s my limit.
And, no matter how slowly those eight hours pass, at least I’m not trapped in a Chilean mine.
I was stuck once in one of our building’s elevators for about ten minutes. As I had my iPod and cigarettes, I think I could have lasted twice that long. So, here are four random songs that I might have heard…
Shivaree – After The Prince And The Showgirl
from Rough Dreams
I first came across the name Shivaree reading enthusiastic reviews of the band’s 1999 debut I Oughtta Give You A Shot In The Head For Making Me Live In This Dump which was produced by Joe Henry. So, I was quite pleased to receive an advance of the trio’s follow-up, Rough Dreams.
I was fortunate to snag a copy because, nearly a decade later, the album has yet to receive a proper release in the States. It’s too bad as lead singer Ambrosia Parsley might well have endeared herself to the audience that Shelby Lynne claimed during the decade with her soulful Americana stylings.
Stevie Wonder – Uptight (Everything’s Alright)
from Song Review: Greatest Hits
The second major hit single of the legendary Stevie Wonder’s career, Uptight (Everything’s Alright) was the first to be co-written by the musician and helped establish Wonder as a staple on pop radio for the next two decades.
As for the song, it’s a dose of joyous R&B delivered in a tightly-packaged three minutes.
Dramarama – Incredible
from Hi-Fi Sci-Fi
Dramarama is a band that has left more than a few listeners puzzled as to why the alternative-leaning power pop act never broke through to major success. Beginning with 1985’s Cinéma Vérité, the band issued five albums that earned them attention at college radio but were mostly ignored by mainstream audiences.
By 1993, alternative rock had exploded, making stars of acts like Soul Asylum and Goo Goo Dolls. Blending humor and poignancy along with hooks galore, Dramarama’s Hi-Fi Sci-Fi deserved similar attention, but it would prove to be another undiscovered gem in the band’s catalog.
George Benson – Give Me The Night
from The George Benson Collection
Guitarist George Benson cut his teeth performing straight-ahead jazz with organist Jack McDuff as well as performing with the great Miles Davis. In the ’70s and early ’80s, Benson also notched a number of pop hits with songs like This Masquerade, On Broadway, and Turn Your Love Around.
Give Me The Night would prove to be one of Benson’s biggest hits. Written by Rod Temperton – who would go on to pen several hits for Michael Jackson’s Thriller – Give Me The Night is a silky smooth ode to nightlife with a light disco feel.