Australia has been on my radar since the early ’70s, when my father bandied about the idea of moving the family there. He had a gig secured, but, at the eleventh hour, my mom put the kibosh on the venture.
I was five and pissed. Cornfields and cows did not match the allure of koalas and kangaroos.
I don’t think Australia was of much consequence to me again until later in the decade and the success of Olivia Newton-John in Grease and the dominance of the Bee Gees in pop culture.
I was eleven. Music and girls were beginning to occupy more of my attention. Olivia made quite an impression.
(twenty years later, she came into a record store where I worked and was every bit as fetching in the flesh)
Over the next few years, as I listened to more and more music, Australian acts like AC/DC, Rick Springfield, Little River Band, Air Supply, and Olivia were staples on the pop and rock radio stations I listened to.
1982 was Australia’s breakthrough year, though.
Our family trekked to the World’s Fair that summer. I’m sure that the world offered up all kinds of groovy stuff, but the only thing I really recall was thinking that, of all of the countries with exhibits, the women at the Australian pavillion were the most lovely.
(I was fourteen and now lamented a life deprived of koalas, kangaroos, and sheilas)
1982 was also the summer that Men At Work arrived in America and soon everyone was spreading vegemite on their toast.
Once I left school and moved on, I got to know a handful of people that were Australian expats. These folks did nothing to dispel my belief that I’d have been cool, too, if I’d grown up in Sydney instead of Sticksville here in the States.
(one of them seems to – literally – know every musician in Australia)
But, though I’ve come close to making the trek to the Australia, I’ve had to admire and imagine the country from afar, living vicariously through one friend’s old blog and a slew of music throughout the years.
(if anyone from Australia is reading and has a gig for two hard-working kids from the States, I think I could convince Paloma and the cats to make the trip)
Here is a quartet of songs by some Australian bands that I simply felt like hearing today…
Little River Band – The Night Owls
from Time Exposure
I knew Little River Band for songs like Lonesome Loser and Cool Change, but The Night Owls came out in the autumn of ’81 when I was really starting to pay attention to music.
I totally took to the song. It was a hit at an age when staying up late into the night was an still an exotic, mysterious venture.
Hoodoo Gurus – Bittersweet
from Mars Needs Guitars
Though Hoodoo Gurus arrived smack dab in my college years and got a lot of press, I don’t really recall hearing them much aside from the occasional trip home when I could listen to 97X.
Other than Bittersweet, I own nothing by the band, but I have taken a mental note (which I will likely lose) to keep an eye out for them when shopping for used vinyl.
INXS – The Stairs
from The Greatest Hits
INXS was simply a fantastic singles band and they left behind a string of songs during the ’80s that still bend my ear when they shuffle up on the iPod. And, I wouldn’t hesitate to put the stunning Don’t Change on a list of favorite songs from the decade.
The Stairs, though, might be the second favorite thing that Michael Hutchence and crew put out. I was pretty burned out on INXS when X, the follow-up to the mammothly successful Kick, was released. The album made me yawn.
But The Stairs had me the first time we played it in the record store where I was working at the time – the percolating intro building to a noisy buzz…Hutchence’s charismatic, impassioned vocals…the hypnotic, determined march of the song and a bit of arena rock guitar to drive it all onward…
The Black Sorrows – Harley And Rose
from Harley And Rose
I had never heard of The Black Sorrows when I grabbed a promo copy of Harley And Rose from a bin of CDs in another record store where I was working. There was no particular reason other than it was up for grabs.
One listen and I filed it as a keeper. Over the past twenty years, I’ve essentially forgotten about it and never came across the band again. But, here and there, the title song would pop to mind and I’d throw it on (or retrieve it from the mp3 catalog).
Checking their Wikipedia page, it appears that Joe Camilleri, the heart and sole constant member of the group, has had a long and distinguished career in Australia, so I suppose I need to make a mental note on him, too.
(and I need to ask my friend about him – he likely knows or, perhaps, has played with him)
Apparently The Black Sorrows evolved from Camilleri, who had already had success, and some friends who would gather and play covers of R&B, zydeco and blues songs.
The wistful Harley And Rose makes me think that it might be the result had Paddy MacAloon of Prefab Sprout grown up in some dusty Australia town and started out in a band playing covers of R&B, zydeco, and blues songs.