I’ve noted on a number occasions what a wonderous discovery it was the day that I happened across the then-new WOXY in autumn of ’83.
Suddenly my musical universe expanded to include acts like Talking Heads, XTC, and Aztec Camera. These less than mainstream bands and artists wandered into the room and sat down next to Journey, Def Leppard, and Duran Duran like strangers entering some cantina in a dusty border town.
Everyone held their breath, expecting trouble.
It seem only a matter of time ’til someone looked at someone else the wrong way, a bottle was broken and wielded as a shiv, and the entire affair ended in a saloon-trashing melee.
I quickly realized that I could listen to Hall & Oates and Siouxsie & The Banshees and it was good. 97X introduced me to numerous acts that would become staples of my listening habit over the ensuing decades.
Reception for 97X was often dodgy and, once I left for college, I was forced to leave the station behind. I wouldn’t really reacquaint myself with the WOXY until a decade later when I would do so via the station’s internet broadcast.
Though highly regarded as it was one of the first modern rock stations in the US, 97X struggled to remain on the air throughout the years, recently relocating from Ohio to Austin, Texas.
During the past year or so, I had made more time to check in and, though my intention was to seek out newer music, invariably, I would stream the station’s vintage broadcast, beaming myself back to the mid- to late-’80s when it was all new to me.
But, it appears that 97X is no more. The plugged was pulled on the station earlier this past week.
97X has cheated the hangman on several occasions over the past quarter century. Maybe it will again. But, if it doesn’t, here are four random songs that I know I heard back before the station and I parted company and I headed off to college…
Tears For Fears – Pale Shelter
from The Hurting
In the summer of ’83, my friend Beej and I would get apprised on up-and-coming bands from his uncle, who possessed an unfathomable collection of New Wave acts on vinyl, many of them imports that had yet to reach our shores. Tears For Fears was an act thay came highly recommended.
It would be two more years before the duo would break in the States – I still recall hearing Everybody Wants To Rule The World for the first time on the radio show Rock Over London – but 97X was playing several songs from their debut that autumn.
One of them was the shimmering Pale Shelter.
Simple Minds – Waterfront
from Live In The City Of Light
Like Tears For Fears, Scotland’s Simple Minds found mainstream success in the US in the spring of ’85 when Don’t You (Forget About Me) etched itself into the collective consciosness of a generation. The group had begun shedding some its more art-rock tendencies a year earlier with Sparkle In The Rain, which included Waterfront.
I heard Waterfront often on 97X and it certainly appealed to me as a U2 fan. The throbbing, hypnotic track would appear post-Don’t You on Simple Minds’ live release in ’87.
The Replacements – Bastards Of Young
When I arrived at college in 1986, The Replacements seemed to be the poster children for modern rock at our school. Maybe it was because like us (and unlike other strong contenders like R.E.M. and The Pixies), the disheveled quartet was comprised of Midwesterners.
(maybe it was because they drank a lot)
Thanks to 97X, I was familiar with the band and songs like Kiss Me On The Bus, Waitress In The Sky, and the anthemic Bastards Of Young which suited our youthful, directionless enthusiasm in a brave, new world free from parental dominion.
Marshall Crenshaw – Cynical Girl
from Marshall Crenshaw
Despite all the acclaim it received upon its release, I had never listened to Marshall Crenshaw’s debut until Paloma and I snagged a copy on vinyl. Of course, I knew his hit Someday, Someway and I knew Cynical Girl from 97X, but the classic pop from which Crenshaw was influenced, and so wonderfully recreated, sounded “dated” alongside the New Wave stuff I was smitten with at the time.
Cynical Girl is a favorite of Paloma’s and it’s fabulously jangly.
(of course, there’s really not a bad track on the entire album)