“It’s Me And Fee, Drinking Buddies”

tubesI’ve known plenty of fans with an unshakable, enthusiastic devotion to certain acts. I’ve known Dead Heads.

But, no matter how passionate these folks might be, in twenty-five years plus, no one has struck me as having more unerring passion for a band than a friend from high school.

Bosco loved The Tubes.

(something I’ve noted before)

He had more than a bit of Spicoli in him, though Bosco attained his carefree demeanor (mostly) without additives and preservatives. There was also some Ferris Bueller in there, too.

He wasn’t a jock, the most quick-witted, or the most dashing lad in town, but there might not have been a more genuinely liked popular kid in our school as Bosco.

Bosco and some of his friends intersected with a group of mine and during our last two years of high school, I got to know him quite well and we had more than our share of misadventures.

I was with him once when he informed the cop that had pulled him over that he couldn’t give Bosco a ticket because “I have no job, no money and no future.”

(somehow, like a Jedi Mind Trick, it worked)

It’s still easy to picture him – checkerboard Vans, lank blonde hair flopping about, and the perpetually surprised yet drowsy expression he seemed to always have.

Music was the usual chatter. For the isolation of our remote hometown, Bosco had spectacular impressive taste in music. He seemed to have a bent toward literate songwriters – Dylan, Davies, and Knopfler – during a period when these artists were not at their commercial or artists heights in the early ‘80s.

But The Tubes were all his.

He’d make collect calls to the president of their fan club – someone named Marilyn in California (I think) – from the high school lounge during lunch.

He had pictures of him and the band, backstage, after concerts.

“It’s me and Fee,” – he and lead singer Fee Waybill had their arms around each other’s shoulders – “drinking buddies.”

He’d use Spooner – in tribute to the band’s guitarist Bill “Sputnik” Spooner – as a greeting.

“Hey, Spooner…”

He was a fan of the band long before it became an MTV darling with She’s A Beauty. Bosco knew all of their albums years ahead of that time.

It must have been his older brother that turned him on to The Tubes because, aside from reading about them, stuff like Mondo Bondage and White Punks On Dope was not going to be heard on the radio stations in our orbit.

I haven’t spoken to Bosco in twenty-years. The last time I saw him, we were both home from college, and things had changed. It was him, but there was no whimsy. He was focused on his fraternity and business school.

I did a bit of online sleuthing for him awhile back and the results yielded a lot of stuff involving chambers of commerce and zoning ordinances.

I couldn’t help but wonder if he still listens to The Tubes.

Nevertheless, I still listen to The Tubes. Here is a quartet of songs from Fee and friends…

The Tubes – Talk To Ya Later
from The Completion Backward Principle

I’ve heard the earlier stuff from The Tubes – courtesy of Bosco – but I was more partial to their more mainstream stuff and that’s pretty much all I own (I’ve kept my eyes open for some used vinyl with which to reacquaint myself with no success thus far).

And though The Completion Backward Principle probably mortified long-time fans of the band’s more outrageous stuff, my friends and I loved it. The slick, new-wave tinged Talk To Ya Later featured Steve Lukather (of Toto) on guitar. Infectious beyond belief, its title became our standard conversation ender for years to come.

The Tubes – Sushi Girl
from The Completion Backward Principle

“Su-su-sushi! Mushi, mushi! ” – it would be another five years or more, well into college before I’d know anything about sushi and, as we were dropping the chorus into casual conversation, I knew even less about girls.

The Tubes performed both Sushi Girl and Talk To Ya Later as musical guests on SCTV in the summer of ’81. I missed it then and haven’t seen it on the rare occasions that I’ve caught a rerun.

The Tubes- She’s A Beauty
from Outside Inside

I know without doubt that She’s A Beauty was the first time I ever heard The Tubes on the radio. The next day at school, I immediately informed Bosco that 96Rock had played the band’s new single.

Outside Inside was one of the big albums for me and my friends during the summer of ’83 (along with The Police’s Synchronicity, which was the album that summer). It’s still a song that I wont skip on the iPod.

The Tubes – Piece By Piece
from Love Bomb

Love Bomb came out in the spring of ’85 and the last full year my friends and I had together before heading to college. Maybe the fact that it came and went with little fanfare might have been an omen that our group of friends was headed the way of the dinosaurs.

I don’t recall it being a bad record, just kind of uneventful. This was surprising as the great Todd Rundgren – someone else who Bosco had turned us onto – produced it. But, like She’s A Beauty and Talk To Ya Later, I can’t skip the crunchy goodness of an earworm that is Piece By Piece.


2 Responses to “It’s Me And Fee, Drinking Buddies”

  1. Perplexio says:

    I got into the Tubes largely due to Steve Lukather’s involvement with them in the 80s. Over the years I’ve been a similarly unwavering fanboy of Chicago (have met all current and a couple former members, conducted an email interview with original drummer, Danny Seraphine, and swapped emails with a couple past & 1 current member of the band) and Toto (never met any of them in person, but have conducted a phone interview with former lead vocalist, Joseph Williams, and swapped a handful of emails with Steve Lukather).

    I’ve never been drinking buddies with any of the guys in either of those bands– but I do have some semblance of understaind of Bosco.

    In addition to playing on The Tubes The Completion Backwards Principle and Outside Inside, Lukather is all over Fee’s Read My Lips solo album and also made some significant contributions to his 1996 follow-up Don’t Be Scared By These Hands.

  2. New Mexicow says:

    The single best thing about “Love Bomb”: “Theme from a Wooly Place” in stereo — left channel playing theme from a summer place, while right channel was playing Wooly Booly. It still makes me laugh at the thought of it.

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