One Penny

I’ve lamented the lack of music easily available to me pre-drivers license.

There was a small section devoted to albums, cassettes, and 45s in the one diminutive department store of my hometown. There couldn’t have been more than three hundred titles and the lot of it would have fit easily into our den.

(which was of the typical, Midwestern, wood-paneled variety, circa 1979)

This lack of a proper record store was hardly an issue for the first year or so as this small selection of music available to me was strictly the most popular stuff – AC/DC, Journey, Styx…

It would be another year before I would be searching for titles that might require a trip to the nearest record stores, fifty miles (and several hours spent with the parents) away.

As I made my way through the final months of junior high in the spring of ’82, the sum of my music collection was, perhaps, half a dozen cassettes including Christopher Cross’ debut, Journey’s Escape, and J. Geils Band’s Freeze Frame.

I was hardly cutting edge. I was a thirteen-year old kid in a town that sometimes didn’t make the map and those handful or so of titles had been purchased with most of the little wealth I had at that age.

So, it was a momentous morning that spring when, sprawled on the den floor leafing through the Sunday paper for the comics, I stopped, mesmerized by the text on the insert.

The bold headline promised me a dozen titles for a penny and my eyes scanned the titles from which I could choose.

I had certainly seen this offer before but my interest in music had reached a critical mass and I had to own more. This was a no-brainer and as I penciled in my selections I chose with the careful consideration of someone manning a key in a missile silo.

And so, I entered into a contractual obligation as a member of the Columbia Record & Tape Club.

Four to six weeks later I arrived home from school to hours and hours of music, the smell of newly-opened cassettes filling the air.

Each month, a new catalog arrived and I pored through the titles as I fulfilled the however many tapes it took for me to fulfill the deal.

I suddenly had a music collection.

I soured on the club by the following spring for the lack of liner notes. The stuff Columbia House had licensed would have a simple paper sleeve with the album cover art.

I needed more.

And, as my friends and I now had drivers licenses, I no longer needed Columbia House.

I don’t recall all of the cassettes I snagged with that intial haul of a dozen. There was Queen’s Greatest Hits , The Best Of Blondie. and Air Supply’s debut.

Here are four songs from four tapes which I do know arrived on that glorious April afternoon in 1982…

Joan Jett And The Blackhearts – Victim Of Circumstance
from I Love Rock ‘n’ Roll

The title track from Joan Jett’s I Love Rock ‘n’ Roll was a juggernaut. The song caught my ear the first night I heard it and, within a day or two, everyone at school was abuzz about it. The song dominated Q102′s Top Ten At Ten for what seemed like forever.

By April, I Love Rock ‘n’ Roll had been joined in the nightly countdown, on various evenings, by several other songs from the album including Crimson And Clover, You’re Too Possessive, and the driving Victim Of Circumstance.

(the latter two being about as close to punk rock as most of us had ever gotten)

Loverboy – Take Me To The Top
from Get Lucky

I’d wager that radio in our part of the Midwest had to have embraced Loverboy as much as anywhere south of their Canadian homeland. Not only did the hits from their first couple albums – Turn Me Loose, The Kid Is Hot Tonight, Working For The Weekend - get played incessitantly, other songs got plenty of attention, too.

Take Me To The Top was an album track that all of the rock stations were playing. The moody, mid-tempo song had the expected Loverboy mix of synthesizer and guitars that was heard blaring from every Camaro in town.

Aldo Nova – Fantasy
from Aldo Nova

The deciding factor when I selected that chosen dozen was, usually, song recognition. I wanted songs that I had heard, preferably on the radio but, also, on the jukebox at the bowling alley.

(hence the Queen and Blondie compilations)

One title on which I “gambled” was the debut by Canadian Aldo Nova. The cooler-than-cool Fantasy was the only song I had heard, but I dug it so much I had to get the full cassette.

Quarterflash – Find Another Fool
from Quarterflash

I’ve duly noted how fetching my friends and I found Quarterflash lead singer/saxophonist Rindy Ross to be. And, for a brief year or so, the usually mellow rockin’ group notched a few hits.

I suppose the only song most people remember Quarterflash for is Harden My Heart, but the follow-up Find Another Fool was quite popular at the time, too. It’s got a far more frantic feel with a similar lyric of a woman scorned and is a bit like the kid sister to some of Pat Benatar’s more New Wave-tinged tracks from the early ’80s.

Beyond The One Hit Of The One-Hit Wonders Of The ’80s

During the past week, on several different evenings, I channel-surfed into one of those countdown shows on VH1 – this one covering the greatest one-hit wonders of the ‘80s.

It sucked me into its vortex like a black hole scarfing down a small galaxy.

(I am not a physicist so I do not stand behind the accuracy of that simile)

It was a lot of familiar ground – Thomas Dolby, Toni Basil, The Buggles – but there were also songs by acts that actually had other, lesser hits or at least other songs that I heard on the radio.

There were also songs by groups that might not have been well-known to most of the public, but who were favorites of me and my friends – the aforementioned Dolby, Devo and ‘Til Tuesday (to name a few).

So, here are some lesser-known songs by acts identified far more by a singular hit…

Devo – Girl U Want
In high school, a friend who was passionate about Devo made me familiar with the band beyond Whip It and Working In A Coal Mine. There might still be graffiti in our hometown relating to Devo.

Girl U Want is simply groovy – groovy being the first word that comes to mind when I think of the song. Then, I think of the movie Tank Girl as it appeared in that flick’s animated, opening credits.

Big Country – The Storm
Is there anyone who still believes that there were actual bagpipes in Big Country’s song In A Big Country?

I owned the first four or five Big Country albums, buying them as they were released. Steeltown, their second record, would be the one to own, but their debut, with the hit, is a strong album, too.

The Storm was a favorite from the first time I heard it on that debut.

‘Til Tuesday – Coming Up Close
Like most guys watching MTV in 1985, my friends and I were left slack-jawed and smitten by Aimee Mann in ‘Til Tuesday’s video for Voices Carry.

Image aside, ‘Til Tuesday made three very good records, shedding members over the course of those albums. By the time the band reached its end after Everything’s Different Now, Aimee Mann had guided their sound from chilly New Wave to a more organic, guitar-jangling alternative rock.

That sound had been hinted at on the group’s second album, especially on the stellar Coming Up Close.

Aldo Nova – Monkey On Your Back
I’ve read music writers who have noted Aldo Nova’s song Fantasy as one of the first pop metal hits, paving the way for radio stations to play acts like Def Leppard.

His second album, Subject, was a more interesting record (at least it was to me in 1983) – the songs were stronger and there were some strange, brief instrumentals between some of them.

Lyrics were not one of Nova’s strength, but Monkey On Your Back seemed edgy to me at fifteen; not so much now, but it’s a cool trip back in time.

One Doped Up Monkey Is Much Less Fun Than A Barrel Full Of Sober Ones

Amongst the rubble of headlines about global economic collapse, global social collapse, and the world in general losing its mind, there’s been the ongoing saga the past several days of that berserk chimpanzee.

You’ve possibly heard of the domesticated monkey – former star of commercials – who went mental and mauled a friend of its owner. It was sobering.

I realized that this chimp had achieved a level of notoriety that most people never will (one of most people being me which made it sobering). Of course, I think that notoriety would clash with my reclusive nature.

It’s undeniably a sad, ghastly incident, but, apparently, the police report that was filed had the monkey’s owner admitting to spiking the simian’s tea with anti-anxiety medication.

It’s true that most of the population has been conditioned to believe that there’s a pill to remedy any issue, real or imagined. But, if the report is true, what would make someone think it might be a good idea to give prescription drugs to a creature that, while “domesticated,” is best suited to be roaming around in the wild?

If ever in such a situation and I reach the same conclusion, I do hope a little voice inside my head suggests I reconsider.

There’s something strange about this human/monkey mishap coming so close on the heels of the recent anniversary of Charles Darwin’s birth. I can’t help but wonder what he would have made of these recent turn of events.

Peter Gabriel – Shock The Monkey
In the fall of ’82, I was still sticking to a musical diet of whatever was on Top 40 radio. Shock The Monkey was certainly one of the most unusual songs that I had heard within that limited format and was my first exposure to Mr. Gabriel.

I was fortunate enough to see him live on his tour for Us in ’93 – incredible band, amazing music, and certainly one of the best concerts I’ve ever attended.

The Pixies – Monkey Gone To Heaven
Paloma and I caught The Pixies on their reunion tour several years ago. It was her birthday present that year. Personally, they were a bit hit and miss for me during their late ’80s heyday, but Monkey Gone To Heaven is an odd, little gem that was all over college radio (at least where I was).

Gorillaz – Fire Coming Out Of The Monkey’s Head
You know, since the turn of the century, I really have had less and less sense of what is popular in music, so I was a bit surprised that, commercially speaking, Gorillaz have had considerable success here in the States. I’d have bet anything that the animated band from England would be one those acts that had failed to attract the same widespread audience as in their homeland.

Good for us. Gorillaz are more fun than killing strangers.

Aldo Nova – Monkey On Your Back
Hard rock was something else that I really didn’t hear much until I ventured outside the world of Top 40 music. But Aldo Nova was one of the first pop-metal acts to make it onto pop playlists with his song Fantasy during the summer of 1982.

By the time his second album came out in the fall of 1983, I had branched out and was mostly listening to album rock stations and, when I could get reception, alternative rock station 97X. Monkey On Your Back was massive on the former.

Joe Satriani – Psycho Monkey
I’m not overly familiar with guitarist Joe Satriani, but I’ve found what I have heard of his music to be clean and melodic. Psycho Monkey has a bit more grit to me (though I much prefer the stellar Ceremony from the same album, Crystal Planet).